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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Agricola, Martin | Musica Instrumentalis Deutsch. Wittemberg: Rhaw, 1529 - Leipzig: Breitkopf & Härtel, 1896. 295p; Hildesheim [u.a.]: Olms, 1969. | 295p |
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| | 2. | Chastellux, François-Jean Marquis de | Essai sur l'union de la poésie de la musique. La Haye, 1765. - [Réimpr. de l'éd. de La Haye et Paris, 1765] Genève: Slatkine Reprints, 1970. iv, 94 p | 94p |
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 | 3. | Schmidt, Gustav Martin (arr.) | Sinfonie ou Suite à grand Orchestre composée par Jean Sebastian Bach arrangée pour le Pianoforte à quatre mains par Gustav Martin Schmidt. - Leipzig: Bureau de musique de C. F. Peters, [1843]. 27p. Pl.-Nr.: 2827. [BWV 1068] | 27p |
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 | 4. | A. M. | John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). [To be continued] | DwightJM | 37 | 24 | 187-188 |
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| | 5. | A. M. | John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'. Concluded from page 188). Bach-Gesellschaft. | DwightJM | 37 | 25 | 193-195 |
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| | 6. | Schmidt, Gustav Martin (arr.) | Suite No. 1-3 für Orchester componirt von Johann Sebastian Bach arrangiert für Pianoforte zu vier Händen von G. M. Schmidt. - Leipzig: C. F. Peters, [1882]. 72p. Pl.- Nr.: 6674. - repr. Best.-Nr.: Edition Peters, 226. [BWV 1066, 1067, 1068] | EdPeters | 226 | 72p |
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| | 7. | Henderson, A. M. (ed.) | Fugue G minor / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 578] | GemsOrg | 5 |
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| | 8. | Henderson, A. M. (ed.) | Siciliano from 2nd flute and piano sonata / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 1031/2 (Anh. II)] | GemsOrg | 5 |
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| | 9. | Henderson, A. M. (ed.) | Prelude and fugue in E minor / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 533] | GemsOrg | 5 |
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| | 10. | Henderson, A. M. (ed.) | Choral prelude 'Vater unser im Himmelreich' (Our Father which art in Heaven) / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 737] | GemsOrg | 5 |
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| | 11. | Henderson, A. M. (arr.) | Herzlich thut mich verlangen. (My heart and my flesh cry out for the living God). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 4-5. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 727] | 4-5 |
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| | 12. | Henderson, A. M. (arr.) | Erbarm dich mein, O Herre Gott. (Have mercy upon me, O Lord). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 6-8. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 721] | 6-8 |
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| | 13. | Henderson, A. M. (arr.) | Liebser Jesu, wir sind hier. (Blessed Jesus we are here). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 9. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 633] | 9 |
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| | 14. | Henderson, A. M. (arr.) | Es ist das Heil uns kommen her. (How is salvation come unto us). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 10-11. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 638] | 10-11 |
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| | 15. | Henderson, A. M. (arr.) | Ich ruf' zu dir, Herr Jesu Christ. (O Lord my God, I cry to Thee). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 12-13. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 639] | 12-13 |
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| | 16. | Henderson, A. M. (arr.) | Herr Gott nun sei gepreiset. (We praise Thee O God). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 14-15. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 601] | 14-15 |
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| | 17. | Henderson, A. M. (arr.) | Wachet auf ruft uns die Stimme. (Wake, awake for night is flying). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 16-19. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 645] | 16-19 |
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| | 18. | Henderson, A. M. (arr.) | O Mensch bewein' dein' Sünde gross. (O man bewail thy heavy sin). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 20-23. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 622] | 20-23 |
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| | 19. | Henderson, A. M. (arr.) | Eight organ chorale-preludes / BACH. Transcribed for the pianoforte by A. M. Henderson. To A. M. and W. B. Macgeorge. - New York, G. Schirmer, c1910. 4-23p. Pl.-Nr.: 23182. (= Schirmer's library of musical classics, 1087) [1. Herzlich thut mich verlangen (BWV 727), 2. Erbarm'dich mein, O Herre Gott (BWV 721), 3. Liebster Jesu, wir sind hier (BWV 731), 4. Es ist das Heil uns kommen her (BWV 638), 5. Ich ruf'zu dir, Herr Jesu Christ (BWV 639), 6. Herr Gott, nun sei gepreiset (BWV 601), 7. Wachet auf, ruft uns die Stimme (BWV 645), 8. O Mensch bewein' dein' Sünde gross (BWV 622)] [BWV 601, 622, 638, 639, 645, 721, 727, 731] | SchirmerLib | 1087 | 23p |
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| | 20. | Zadora, Michael (arr.) | Konzert für Orgel / Wilhelm Friedemann Bach. für Pianoforte bearb. v. Michael v. Zadora. - Berlin: Simrock [1911] |
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| | 21. | Henderson, A. M. (arr.) | Selected Movements from the Orchestral Suites / Bach Transcribed for the pianoforte by A. M. Henderson. - London: Bayley & Ferguson, c1911. 19p. Pl.-Nr.: Bach Transcriptions Book 2. (= Bach transcriptions, Book 2) [Polonaise (BWV 1067/6), Minuet (BWV BWV 1067/7), Badinerie (BWV 1067/8), Minuet (BWV 1066/6-7), Bourée (BWV 1066/8-9), Gavotte (BWV 1068/3-4), Bourée (BWV 1068/5)] | 19p |
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| | 22. | Zadora, Michael (arr.) | Siciliano (aus der Es dur-Sonate für Pianoforte und Flöte) / Johann Sebastian Bach. für Pianoforte allein gesetzt von Michael von Zadora. - Berlin [u.a.]: Simrock, c1911. 3p. Pl.-Nr. 12840. [BWV 1031/2 (Anh. II)] | 3p |
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| | 23. | Zadora, Michael (arr.) | Orgelchoral (In dulci jubilo) / Johann Sebastian Bach. Für Klavier allein gesetzt von Michael von Zadora. - Berlin [u.a.]: Simrock, c 1912. 3p. Pl.-Nr. 12989. [BWV 368] | 3p |
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| | 24. | Henderson, A. M. (arr.) | Selected Pieces from the Organ Works and Chamber Music / BACH. Transcribed for the Pianoforte by A. M. HENDERSON. - London: Bayley & Ferguson, 1913. 63p. [BWV 554, 1012/4, 558, 1010/4, 560, 1031/2, 549, 650, 35/5, 1006/4-5] | 63p |
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| | 25. | Zadora, Michael | Aria (G-Dur) aus der Matthäus-Passion für Pianoforte zum Konzertvortrag bearb. v. Michael Zadora. - Berlin: Bote & Bock, c1916. 7p. Pl.-Nr.: 18653. [Presumably 'Gebt mir meinen Jesum wieder', BWV 244/42] | 7p |
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| | 26. | Zadora, Michael (arr.) | Präludium und Fuge in A moll von Joh. Seb. Bach. [Für Pianoforte] übertragen von Michael Zadora. - Leipzig [u.a.]: Leuckart, c1917. 3-7p. Pl.-Nr. F.E.C.L. 7651. [BWV 551] | 7p |
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| | 27. | Zadora, Michael (arr.) | Präludium und Fuge in D moll von Joh. Seb. Bach. [Für Pianoforte] übertragen von Michael Zadora. - Leipzig [u.a.]: Leuckart, c1917. 3-9p. Pl.-Nr. F.E.C.L. 7652. [BWV 539] | 9p |
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| | 28. | Henderson, A. M. (arr.) | Selected pieces from Early classic masters. Transcribed for the pianoforte by A. M. Henderson. - London: Bayley & Ferguson, 1921. 35p. [Includes: Prelude and fugue in E minor / Bach ; Sicilienne (from "Organ concerto in D minor) / W. F. Bach.] | 35p |
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| | 29. | Ushiyama, Mitsuru | Ongaku Kansho no Chishiki. [Knowledge of Music Appreciation] - Tokyo: Kyobunsha, 1924. 470p. [J. S. Bach = pp.210-231; Brandenburg Concertos, pp. 334f.] | 470p |
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| | 30. | Henderson, A. M. (ed.) | 23 Organ Chorale Preludes / BACH. Selected, fingered and edited by A.M. Henderson. - Glasgow and London: Bayley & Ferguson, c.1925. 58p. [BWV 751, 716, 705, 737, 749, 667, 719, 721, 668a, 700, 615, 654, 706, 623, 645, 727, 609, 639, 643, 625, 680, 638, 622] | 58p |
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| | 31. | Henderson, A. M. (ed.) | An introduction to Bach for the organ. Selected, fingered and edited by A. M. Henderson. - Glasgow: Bayley & Ferguson, 1930. 68p. [Ermuntre dich, mein schwaches Geist -- Freu' dich sehr, o meine Seele -- Nun lasst uns Gott -- O Lamm Gottes Unschuldig -- Passion Chorale -- Schmücke dich o liebe Seele -- Vater unser im Himmelreich -- Christ ist erstanden -- Erbarm' dich mein, O Herre Gott -- Herr Jesu Christ, dich zu uns wend -- Herr Jesu Christ, meines Lebens Licht -- Herzlich thut mich verlangen -- Liebster Jesu, wir sind hier -- Vater unser im Himmelreich -- Aria in D major -- Fantasia in C minor -- Prelude and fugue in B flat -- Prelude and fugue in C minor -- Prelude and fugue in E minor -- Prelude and fugue in F -- Prelude and fugue in G minor -- Prelude in E minor -- Prelude from Church cantata -- Sarabande -- Sarabande in D major -- Sarabande in E flat -- Sarabande in F -- Siciliano in G minor -- Adagio in A minor.] | 68p |
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| | 32. | Henderson, A. M. (ed.) | Lord Jesu Christ, with us abide ... Chorale for voices in unison ... Edited by A. M. Henderson. - London, Glasgow: Bayley & Ferguson, 1931. (= The Choral Album, No. 1471) |
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| | 33. | Henderson, A. M. (arr.) | Wake, awake! for Night is flying = Wachet auf! ruft uns die Stimme: chorale for voices in unison from the church cantata 'Sleepers, wake!' / Bach Edited by A. M. Henderson. [words by] Catherine Winkworth. - London, Glasgow: Bayley & Ferguson, [1931] 8p. Pl.-Nr.: C. A. 1470. (= The Choral Album, No. 1470) [BWV 140/4] | 8p |
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| | 34. | Goodhart, A. M. | Suggestions for the Pianoforte Accompaniment of Choral Singing. Letters to the Editor. | MTimes | 72 | 1056 | 155-156 |
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| | 35. | Gifford, A. M. | Bach on the Modern Organ. | MTimes | 74 | 1088 | 934 |
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| | 36. | Henderson, A. M. (ed.) | Popular pieces for piano / Bach. Selected, edited and revised by A. M. Henderson. - London: Bayley & Ferguson, c1934. 36p. | 36p |
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| | 37. | Škerjanc, Lucijan Marija | J. S. Bach (Ob 250 letnici rojstva.) [J. S. Bach (marking his 250th birthday)] | Jutro | 16 | 67 | 6 |
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| | 38. | Škerjanc, Lucijan Marija | Trije glasbeni jubileji. [Three musical anniversaries] | NasVal | 2 | 12 | 6-7 |
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| | 39. | Škerjanc, Lucijan Marija | G. F. Händel. | ZivljenjeSvet | 9:17 | 8, 9 | 215-219; 242-244 |
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| | 40. | Škerjanc, Lucijan Marija | J. S. Bach. | ZivljenjeSvet | 9:17 | 12 | 329-330 |
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| | 41. | Newman, S. T. M. [Sidney Thomas Mayow] | Bach's Motet 'Singet dem Herrn' ('Sing ye to the Lord') 28 April, 1938. Sir Percy C. Buck, D.Mus., President, In the Chair. [BWV 225] | ProceedRMA | 64 | 97-129 |
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| | 42. | Iguchi, Motonari; Tsuchikawa, Masahiro; Fukui, Naotoshi (eds.) | Invention 2-Seibu to 3-Seibu / Bach = Inventionen: 15 Inventionen und 15 Symphonien. Tokyo: Shunjusha Shohakukan, 1943 (Showa 18). (= Shunju Gakufu 1) [BWV 772-801] |
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| | 43. | Stein, Max Martin | Erinnerungen an Karl Straube. | Kmusiker | 1 | 2 | 36-37 |
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| | 44. | Mila, Massimo | La 'Messa in si minore' di Bach. Per soli, coro e orchestra -- Direttore: Herbert von Karajan. Mercoledì ore 21,45, Rete rossa -- Dal Teatro alla Scala di Milano. | Radiocorriere | 27 | 28 | 7 |
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| | 45. | Bonisconti, A. M. | Terzo programma - Omaggi a Bach. Domenica, ore 21,50 - Lunedì, ore 22,25 - Martedì, ore 22,35 - Terzo programma. Subato, ore 17,20 - Rete azzurra. | Radiocorriere | 27 | 46 | 13-14 |
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| | 46. | Zadora, Michael (arr.) | Prelude and Fugue in G minor (for organ). Transcribed for the piano by Michael Zadora. - New York: G. Schirmer, [1955] 11p. [Präludien und Fugen für Orgel. Erste Folge. No. 5] | 11p |
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| | 47. | Kada, Mariko | C. Ph. E. Bach no Chenbaro Kyosokyoku. [C.P.E. Bach's harpsichord concertos] | OngakuGaku | 14 | 1-2 | 65-75 |
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| | 48. | Zijlstra, Miep | De Bach-cantatas in liturgisch verband. | MensMelodie | 25 | 12 | 78-80 |
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| | 49. | Stokowska, Magdalena | Kto? Co? O muzyce i muzykach. Cietkawosti, Wiersze, Wypowiedzi, Anegdoty. Warschau: Pa'nstwowe zaklady Wydawnictwo Szkolnych 1971. 347p. [Wer? Was? Über Musik und Musiker. Späße, Verse, meinungen, Anekdoten.] | 347p |
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 | 50. | Murata, Margaret | Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. M.A. diss., Univ. of Chicago, 1971. | diss. |
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| | 51. | Zijlstra, Miep | Een vernieuwde Johannes-Passie. | MensMelodie | 28 | 115-117 |
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| | 52. | Tsukioka, Masaaki | Kenban Gakki no Rekishiteki Soho ni tsuite. An old method of playing keyboard instruments. | OruganKenkyu | 1 | 13-24 |
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| | 53. | Rideout, Sarah Margaret | Johann Sebastian Bach's solo cantatas for soprano. Tallahassee, The Florida State Univ. 1974. | diss. |
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| | 54. | Sicca, Mario | Note critiche sul problema delle trascrizioni per chitarra. [Critical notes on the problem of guitar transcriptions.] | Fronimo | 3 | 11 | 23-25 |
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| | 55. | Yoshida, Miwako | C.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei. [A revision of the score of the clavier concertos Wq. 43 by C.P.E. Bach.] MA diss., Musicology: Ochanomizu University, 1976. 2v. 75p | diss. | 75p |
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| | 56. | Kushida, Magoichi | Bunkyojo no Bach. [Bach in a branch school] Tokyo: Ongaku Kansho Kyoiku Shinkokai, 1978, 174p. | 174p |
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| | 57. | Nishihara, Minoru | Kurth kenkyu josetsu: Kurth ni okeru shinteki keiki to ongaku tetsugaku no shomondai o megutte. [Prolegomena to Kurth: studies on psychological moments and music philosophy.] MA diss., Musicology: Tokyo University of Fine Arts and Music, 1978. 2v. 376 p. | diss. | 376p |
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| | 58. | Schmidt, Christian Martin | Über die Konzertform in späten Orgelkompositionen J. S. Bachs. [BWV 526/iii, 527/i, 529/i, 530/iii, 546, 552] | [cr]Berlin1974 | 300-302 |
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| | 59. | Štraub, Žan Mari [Straub, Jean-Marie] | Anna Magdalena Bach. Beograd: Filmska redakcija Studenskog kulturnog centra, [1981]. 35p. (= Edorado; 2) | 35p |
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| | 60. | Lobanova, Marina | Muzykal'nyj stil' i zanr v epohu barokko kak problema sovremmenoj istorii kul'tury (ma primere moteta). [Musical style and genre in the Baroque period as a question in the contemporary history of culture, illustrated by the motet.] MA diss., Music theory: Moskovskaja Gosudarstvennaja Konservatorija imeni P.I. Cajkovskogo, Moskva, 1981. 23p. | diss. | 23p |
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| | 61. | Tsukioka, Masaaki | Nitancho Toccata BWV 565 wa J. S. Bach no Orugan Kyoku ka. Peter Williams no Ronbun Shokai. [Is the D-minor Toccata BWV 565 BAch's Organ work? Introducing Peter Williams' article] | OruganKenkyu | 9 | 33-46 |
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| | 62. | Yamashita, Michiko | Doitsu no Kenban Kumikyoku ni fukumareru Allemande: Takuto-ron no Suii kara mita Yoshiki Bunseki no kokoromi. [Allemande contained in German Keyboard Suites: an attempt of style analysis from the transition of the Beat Theory] | OngakuKenkyu | 4 | 1-36 |
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| | 63. | Mila, Massimo | La vecchiaia di Bach. | Belfagor | 38 | 253-264 |
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| | 64. | Nishihara, Minoru | Doitsu Keimoshugi no Ongaku Bigaku. Scheibe to 1750-Nen Zengo ni okeru 'Kanseigaku' to shite no Ongaku Bigaku no Shomondai. [Musikäthetik der deutschen Aufklärung: J.A. Scheibe und Probleme der Musikästhetik um 1750.] | BulFacMTokyoGeijutsuDaigaku | 9 | 29-53 |
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| | 65. | Evseeva, Marina | Muzyka I.S. Baha v ispolnenii Tat'jany Nikolaevoj. [J.S. Bach's music performed by Tat'jana Nikolaevna] | [ce]MuyzkalnoeIspolnitelstvo | 2 |
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| | 66. | Oyama, Mayumi | J. S. Bach no Senritsu Gakki to obligato cembalo no tame no Sonata. [J. S. Bach's Sonatas for melodic instruments and obbligato harpsichord] | OngakuGaku | 29 | 2 | 186-198 |
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| | 67. | European American Music | The New Bach Edition. | AmerOrganist(2) | 19 | 3 | 73 |
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 | 68. | Oyama, Mayumi | J.S. Bach no Henkyoku Giho. (Bigakkai Dai-36-Kai Zenkoku Taikai Hokoku). [Die Bearbeitungstechnik von J. S. Bach (Papers Read at the 36th National Congress)] | Bigaku | 36 | 3 | 51 |
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| | 69. | Lobanova, Marina | Allegorija i emblema v kantate J. S. Bacha 'O Ewigkeit, du Donnerwort' Nr. 60. [Sinnbild und Emblem in der Kantate...] [BWV 60] | [ce]ProblemyMusykalnogoStilja | 45-62 |
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| | 70. | Sicca, Mario | Riflessioni di un chitarrista su alcuni problemi di articolazione nelle opere per liuto di J. S. Bach. | Fronimo | 13 | 52 | 15-24 |
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| | 71. | Sicca, Mario | Articulation in the Lute Music of J. S. Bach. | GuitarReview | 63 | 26-31 |
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| | 72. | Oyama, Mayumi | Gendai no Bach Kenkyu -5- Bach no Henkyoku Giho. [Modern Bach research -5- Bach's transcription techniques] | OngakuGeijutsu | 43 | 7 | 82-89 |
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| | 73. | Schmidt, Christian Martin | Zur Entwicklung der Form im emphatischen Sinne: Bachs Orgelpräludium h-moll BWV 544. | Mtheorie | 1 | 3 | 195-204 |
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 | 74. | Kawabata, Maiko | Traditions on Record: A Performance Analysis of the opening of Bach's Chaconne for Solo Violin. A paper read at Royal Musical Association, 30th Annual Music Research Students' Conference held at University Of Wales, Cardiff on 14-17 December 1996. [BWV 1004/5] | [p]RMARS_Cardiff |
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| | 75. | Mather, Betty Bang; Karns, Dean M. | Dance Rhythms of the French Baroque: a Handbook for Performance. Indiana Univ.Press, Bloomington & Indianapolis 1987, xiv, 334p. ISBN: 0-253-31606-5; 0253316065. (= Music: Scholarship and performance) | xiv, 334p |
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| | 76. | Della Chiesa d'Isasca, Marco | Per una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach. [Rereading Bach: Observations on the structure and interpretation of the prelude and fugue in F major (no. 11) from the Wohltemperirtes Clavier I by J.S. Bach] | Eunomio | 7 | 3-10 |
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| | 77. | Borio, Gianmario; Garda, Michela (eds.) | L'esperienza musicale: Teoria e storia della ricezione. [The musical experience: The theory and history of reception] Torino: Edizioni di Torino, 1989. v, 225p. ISBN: 88-7063-063-3. (= Biblioteca di cultura musicale. Documenti) | [ce]LEsperienzaM | v, 225p |
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| | 78. | Tsukioka, Masaaki | Bach no Soshoku Kigo ni tsuiteno Ichikosatsu. Orugan Sakuhin no Jitsurei o Chushin to shite. [A study on Bach's ornaments: focusing on the examples from his organ works] | OruganKenkyu | 17 | 1-20 |
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| | 79. | Schmidt, Christian Martin | Stabilität und Varietät: Zum ersten Satz von Bachs viertem Brandenburgischen Konzert BWV 1049. | [fs]Kross60 | 87-94 |
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| | 80. | Schmidt, Christian Martin | Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. | [fs]Stephan65 | 97-111 |
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| | 81. | Frolova, Marina | Igrat' li nam Baha? [Should we play Bach?] | MoskovskijM | 1 | 254-259 |
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| | 82. | Carbonell Gras, Juan Miguel | Descubre la música cantando a J.S. Bach: 20 lecciones de solfeo de fácil a mediana dificultad. [Discovering music by singing J.S. Bach: Twenty easy and intermediate lessons in solfège] Trans. by Carlos Jimeno. Valencia: Rivera, 1991. 83p. | 83p |
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| | 83. | Tokumaru, Yoshihiko; Ohmiya, Makoto; Kanazawa, et.al. (eds.) | Tradition and its future in music. [Report of the Fourth Symposium of the International Musicological Society] Osaka: Mita, 1991. 695p. ISBN: 4-89583-083-7. | [cr]Osaka1990 | 695p |
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| | 84. | Schmidt, Christian Martin | Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. | MuziekWetenschap | 1 |
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| | 85. | Koscha, Melanie | [Betr. Int. J.-S.-Bach-Wettbewerb 1992 Leipzig]. Mitteilungen | MKirche | 62 | 6 | 368 |
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| | 86. | Ogawa, Masafumi | An analysis of Reinhard Keiser's St. Mark's Passion. | OitaDaigakuKGKK | 14 | 2 | 309-324 |
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| | 87. | Inoura, Michio | 'Esutoro' ni michita Toshi, Venezia. Venice - filled by 'estero'. | BCJ | 8 |
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| | 88. | Inoura, Michio | Itaria Ryori no koto. [On Italian dishes] | BCJ | 10 |
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| | 89. | Della Chiesa d'Isasca, Marco | Per una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II. [Rereading Bach: Observations on the structure and interpretation of the prelude and fugue in C# major (no. 3) from the Wohltemperirtes Clavier II by J.S. Bach. II] | Eunomio | 20 | 3-17 |
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| | 90. | Kostakeva, Marija | Der Teufel als Symbol des totalitaren Systems: Die neuen Mythen der Sowjet-Ara am Beispiel von Alfred Schnittkes Faust-Kantate. | WortM | 18 | ii: 611-620 |
[cr]Salzburg1992 | ||
| | 91. | Yamashita, Michiko | 'Schütz to Schein no Yube' ni yosete. [For the evening of Schütz and Schein] | BCJ | 13 |
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| | 92. | Schmidt, Christian Martin | 'Dem Höchsten Gott Allein Zu Ehren, Dem Nechsten, Draus Sich Zu Belehren'. Die musikalische Wissenschaft des Johann Sebastian Bach. In: Musik und Religion, hrsg. von Helga de LaMotte-Haber. Laaber, 1995, 286 S, S. 61-87. | 61-87 |
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| | 93. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 2. A cura di Maurizio Machella. - Padova: Euganea Ed. Comunicazioni, 1995. 64p. (= Convivio musicale, 12) [Enth.: BWV Anh. II,55. 57. 60. 61. 66. 73. 75. 76. 77. 78] | 64p |
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| | 94. | Oyama, Mayumi | [Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [concertos in reconstruction; commentary] | BachZenshu | 14 | 208-211 [50-53] |
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| | 95. | Oyama, Mayumi | Bach no Chenbaro Kyosokyoku. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's cembalo concertos; commentary; BWV 1052-58, 1060-1065] | BachZenshu | 14 | 211-221 [40-50] |
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| | 96. | Taira, Maiko | Totonotta Kyokai Ongaku to iu Kyukyoku Mokuteki. [Ultimate purpose called Well-regulated Church Music] | BCJ | 21 |
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| | 97. | Schmierer, Elisabeth; Fontaine, Susanne; Grunzweig, Werner; Brzoska, Matthias (eds.) | Töne, Farben, Formen. Über Musik und die bildenden Künste. Festschrift Elmar Budde zum 60. Geburtstag. Laaber: Laaber-Verlag, 1995. x, 369p. ISBN: 3-89007-314-X. | [fs]Budde60 | x, 369p |
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| | 98. | Schmidt, Christian Martin | Die Musikgeschichte des 19. Jahrhunderts kann man ohne Bach nicht schreiben. | JbStaatInstMf | 1994 | 96-109 |
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| | 99. | Wakakuwa, Midori | Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. [The figure of 'Jesus's Crucifixion' in paintings: Catholic and Protestant] | BachZenshu | 7 | 102-115 |
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| | 100. | Nishihara, Minoru | 19-Seiki no Cembalo Fukko. [Harpsichord revival in the 19th century] | BachZenshu | 11 | 88-100 |
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| | 101. | Marx-Weber, Magda; Marx, Hans Joachim (eds.) | Ausgewählte Aufsätze zur geistlichen Musik / Arnold Schmitz. Paderborn [u.a.]: Schöningh, 1996. viii, 346p. ISBN: 3-506-70623-3. (= Beiträge zur Geschichte der Kirchenmusik, 3) | BeitrGesKm | 3 | viii, 346p |
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| | 102. | Vaahtoranta, Martti | J.S.Bach und das Luthertum--eine zufallige Kombination?: Bilderverehrung und Abendmahlsanbetung bei Johann Gerhard. [J.S. Bach and Lutheranism--a coincidental combination?: Veneration of images and the veneration of the sacrament of Communion in the works of Johann Gerhard] In: Grundbegriffe christlicher Asthetik. Wiesbaden: Harrassowitz, 1997. 172p. ISBN: 3-447-03855-1. | 67-77 |
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| | 103. | Kanazawa, Masakata | Johann Sebastian Bach to Watashi. [Johann Sebastian Bach and I] | BachZenshu | 2 | 86-95 |
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| | 104. | Nishihara, Minoru | Bach to Keizai Seikatsu. Bach no Shogai. [Bach's life: Bach and Economic Life] | BachZenshu | 2 | 144-158 |
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| | 105. | Waldura, Markus | Heinrich Christoph Koch--Hofkapellmitglied, Musiktheoretiker und Komponist. | BeitrSchwarzburgKunstKulturGes | 6 | 147-178 |
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| | 106. | Kostek, Bozena; Szczerba, Marek; Wieczorkowska, Alicja | Musikdatenbanken: Aufbau und Analyse. In: 19. Tonmeistertagung: International convention on sound design. Munchen: Saur, 1997. p. 807-812 | [ce]19Tonmeistertagung | 807-812 |
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| | 107. | Schmidt, Christian Martin (ed.) | Felix Mendelssohn Bartholdy: Kongreß-Bericht Berlin 1994. Internationaler Mendelssohn-Kongreß (Berlin): 1994.05.12-15. - Wiesbaden [u.a.]: Breitkopf & Härtel, 1997. 351p. ISBN: 3-7651-0304-7. | [cr]Berlin1994 | 351p |
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| | 108. | Lobanova, Marina | Bild, Wort und Ton: Wie Johann Sebastian Bach Sinnbilder des Barock musikalisch umsetzte. | Orchester(Mainz) | 45 | 4 | 23-30 |
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| | 109. | Bach Bachtischa, Michael | Die Suiten für Violoncello von Johann Sebastian Bach: Einige Gedanken zu ihrer Ausführung mit dem Rundbogen. | Orchester(Mainz) | 45 | 7-8 | 16-20 |
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| | 110. | Jira, Martin | Musikalische Temperaturen in der Klaviermusik des 17. und frühen 18. Jahrhunderts. Tutzing: Schneider, 1997. 264p + 1 CD. ISBN: 3-7952-0877-7. (= Würzburger musikhistorische Beiträge, 17) | WürzburgMHistBeitr | 17 | 264p |
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| | 111. | Venezia, Mike | Johann Sebastian Bach. Written and illustrated by Mike Venezia. - New York; London; Hong Kong; Sydney; Danbury; Connecticut, 1998. 32p. (= Getting to know the world's greatest composers). | 32p |
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| | 112. | Nishihara, Minoru | Bach no Kyutei Seikatsu. Bach no Shogai. [Bach's life: Bach's Life in Court] | BachZenshu | 6 | 166-176 |
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| | 113. | Ohara, Mayumi | Bach-ke no 'Kazoku no Shozo'. [Bach family's 'Family portrait'] | BachZenshu | 8 | 112-121 |
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| | 114. | Nishihara, Minoru | Bach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. Bach no Shogai. [Bach's life: The way Bach was portrayed in the 19th century] | BachZenshu | 10 | 192-206 |
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| | 115. | Setaka, Michisuke | Countertenor no 3tsu no Dojo. [three training grounds for countertenors] | BCJ | 34 | [16-19] |
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| | 116. | Yamashita, Michiko | Leipzig to Bach no Kantoru Shunin. [Leipzig and Bach's appointment as cantor] | BCJ | 35 | 20-25 |
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| | 117. | Kopiez, Reinhard; Barthelmes, Barbara; Gembris, Heiner; Kloppenburg, Josef; Loesch, Heinz von; Neuhoff, Hans; Rotter, Gunther; Schmidt, Christian Martin | Musikwissenschaft zwischen Kunst, Ästhetik und Experiment: Festschrift Helga de la Motte-Haber zum 60. Geburtstag. Würzburg: Konigshausen & Neumann, 1998. xxx, 670p. ISBN: 3-8260-1524-X. | [fs]Motte-Haber60 | xxx, 670p |
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| | 118. | Zorilova, Ljudmila S.; Sidorova, Margarita Borisovna (eds.) | Muzykal'naja pedagogika: Ispolnitel'stvo. III. Moskva, Russia: Moskovskij Gosudarstvennyj Institut Kul'tury, 1998. 105p. | MuzykalnajaPedagIspol | 3 | 105p |
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| | 119. | Lamla, Michael H. | Musical Books of Patterns in Seventeenth-Century Italy. Paper read at Society for Seventeenth-Century Music, the Sixth Annual Conference April 16-19, 1998, School of Music, University of Illinois, Urbana-Champaign | [p]SSCM_Illinois |
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| | 120. | Videla, Mario | Albert Schweitzer, el organista. | RadioClasica | 10 | 115 | 35-38 |
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 | 121. | Ulloa, Mário | Gavotte I BWV 995: redução e performance musical. [Gavotte I, BWV 995: Reduction analysis and performance] http://www.urucungo.com.br/artigos/ulloa/ulloa1.htm | Urucungo | 1 | 1 |
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| | 122. | Yamashita, Michiko | Kuhnau to Bach ... Futari no Thomas Kantoru. Kuhnau and Bach -- two Thomascantors. | BCJ | 37 | 16-21 |
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| | 123. | Schmidt, Christian Martin; Chailly, Riccardo; Berio, Luciano | De innerlijke tragedie van een mens. | [ce]MatthausPassion100JPKC | 10-17 |
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| | 124. | Schmidt, Christian Martin | De herontdekking van de Matthäus-Passion door Felix Mendelssohn Bartholdy. | [ce]MatthausPassion100JPKC | 18-21 |
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| | 125. | Dinglinger, Wolfgang; Schmidt, Christian Martin (eds.) | De Matthäus-Passion: 100 jaar passietraditie van het Koninklijk Concertgebouworkest. Bussum: Thoth, 1999. 174p (with 1 CD). ISBN: 90-6868-218-0. | [ce]MatthausPassion100JPKC | 174p |
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| | 126. | Ishikawa, Miyuki | J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. [A Study on the role of Alto Solo and its significance in J. S. Bach's Passions and Oratorios] MA diss., Tokyo Gakugei daigaku, 1999 | diss. |
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| | 127. | Szoka, Marta (ed.) | Arcana musicae. ed. Marta Szoka. - Lódz: Akademia Muzyczna, 1999. 217p. ISBN: 83-901135-2-X. | [fs]Wesolowski | 217p |
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| | 128. | Khalifa, Michel | De tegenstelling vlees-geest in twee motetten van Bach. [The contraposition of flesh-spirit in two motets by Bach] [BWV 226-227] | TijdschrMtheorie | 4 | 3 | 189-205 |
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| | 129. | Ohazama, Moriko | Waga Kokoro no BCJ. [My heart's BCJ] [Soritsu Kinen Bunshu / Anniversary Issue Essays] | BCJ | 43 | 25-26 |
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| | 130. | Oniwa, Midori | BCJ to Watashi. [BCJ and I] [Soritsu Kinen Bunshu / Anniversary Issue Essays] | BCJ | 43 | 26-27 |
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| | 131. | Taneda, Minoru | Bach to BCJ to Watashi. [Bach and BCJ and I] [Soritsu Kinen Bunshu / Anniversary Issue Essays] | BCJ | 43 | 33-34 |
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| | 132. | Fukuda, Mitsuo | BCJ Soritsu 10-Nen, Omedeto gozaimasu. [10 years of founding BCJ, congratulations.] [Soritsu Kinen Bunshu / Anniversary Issue Essays] | BCJ | 43 | 42 |
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| | 133. | Kanazawa, Masakata | J. S. Bach 7-Ban Shobu. Bach vs. Vivaldi. [J. S. Bach 7 matches. Bach vs. Vivaldi] | [ce]Daremoiwanakatta | 126-145 |
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| | 134. | Kanazawa, Masakata | J. S. Bach 7-Ban Shobu. J. S. Bach vs. J. S. Bach (botsugo) [J. S. Bach 7 matches. J. S. Bach vs. J. S. Bach (posthumous)] | [ce]Daremoiwanakatta | 196-207 |
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| | 135. | Kanazawa, Masakata (ed.) | Dare mo iwanakatta 'Dai-Ensoka Bach' Kanshoho. Tokyo: Kodansha, 2000. 334p. [Appreciation methods that no one mentioned] | [ce]Daremoiwanakatta | 334p |
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| | 136. | Sannomiya, Masamitsu; Suzuki, Masaaki | Oboe. | [ce]GakkiHakubutsukan | 12-15 |
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| | 137. | Schmidt, Christian Martin | Die Wiederentdeckung der Matthäus-Passion durch Felix Mendelssohn-Bartholdy. | JbBachWoche_Dillenburg | 63-68 |
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| | 138. | Videla, Mario | La Biblia personal de J.S. Bach. [J.S. Bach's personal Bible] | MusicaInvestigacion | 3 | 6 | 135-142 |
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| | 139. | Drozdova, Marina Anatol'evna | Judina: Vzgljad na HTK. [Marija Judina: A view of Das wohltemperierte Klavier] | MuzykalnajaZizn | 7 | 9-11 |
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| | 140. | Brezneva, Irina Vâceslavovna; Malinina, Galina Mihajlovna (eds.) | Russkie muzykal'nye arhivy za rubezom, zarubeznye muzykal'nye arhivy v Rossii. [Russkie muzykal'nye arhivy za rubezom, zarubeznye muzykal'nye arhivy v Rossii; Moscow; 1998] Moskva: Gosudarstvennaâ Konservatoriâ imeni P. I. Èajkovskogo, 2000. 237p. ISBN: 5-89598-083-X. (= Naucnye trudy Moskovskoj Gosudarstvennoj Konservatorii im. P. I. Èajkovskogo, 31) | NaucnyeTrudy | 31 | 237p |
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| | 141. | Jira, Martin | Verwendete Johann Sebastian Bach beim Komponieren der Chromatischen Fantasie und Fuge d-moll BWV 903 eine offene Temperatur? | NMwJb | 9 | 37-47 |
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| | 142. | Blahynka, Miloslav | Reflexia Johanna Sebastiana Bacha vo filozofii 20. storoèia. [Johann Sebastian Bach as reflected in 20th-century philosophy] | SlovenskaHudba | 26 | 4 | 417-424 |
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| | 143. | Jira, Martin | Musikalische Temperaturen und musikalischer Satz in der Klaviermusik von J. S. Bach. [Zugl.: Würzburg, Univ., Diss, 1999. Rückent.: Musikalische Temperaturen bei J. S. Bach.] Tutzing: Verlag Hans Schneider, 2000. 319p + 1 CD. ISBN: 3-7952-1004-6. (= Würzburger musikhistorische Beiträge, 20) | WürzburgMHistBeitr | 20 | 319p |
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| | 144. | Yamada, Mitsugu | Bach to Rauten Klavier: Ushinawareta Gakki o motomete. [Bach and Lautenklavier: in search of the lost instrument] - Tokyo: Sinfonia, 2001. 242p. ISBN: 4883953750. | 242p |
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| | 145. | Yamada, Mutsugu | Bach to Lauten-Klavier: Ushinawareta Gakki o motomete. [Bach and Lautenklavier: in search of the lost instrument] Tokyo: Sinfonia, 2001. 242p. ISBN: 4883953750. | 242p |
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| | 146. | Iwata, Makoto | No to ongaku. [Brain and Music] Tokyo: Medikaru rebyusha, 2001. 340 p. | 340p |
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| | 147. | Sugihara, Michio | 'R. Nak & His Tokyo Bach Band'. | BrassBul | 114 | 84-86 |
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| | 148. | Brzoska, Matthias; Heinemann, Michael (eds.) | Die Geschichte der Musik. I: Die Musik von den Anfängen bis zum Barock. Laaber: Laaber-Verlag, 2001. x, 395p. ISBN: 3-89007-521-5; 3-89007-520-7; 978-389007-520-4. | [ce]GeschichteDerMusik | 1 | x, 395p |
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| | 149. | Brzoska, Matthias; Heinemann, Michael (eds.) | Die Geschichte der Musik. II: Die Musik der Klassik und Romantik. Laaber: Laaber-Verlag, 2001. 405p. ISBN: 3-89007-522-3; 3-89007-520-7; 978-389007-520-4. | [ce]GeschichteDerMusik | 2 | 405p |
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| | 150. | Moreno i Morera, Modest | Nun komm, der Heiden Heiland. http://www.filomusica.com/filo23/modest.html | Filomusica | 23 |
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| | 151. | Waldura, Markus | Zu Johann Matthesons Lehre von den Ab- und Einschnitten der Klang-Rede. | Mtheorie | 16 | 3 | 195-219 |
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| | 152. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 1. A cura di Maurizio. - Padova: Armelin Musica, c2002. 41p. Best.-Nr.: CM 11. (= Convivio musicale, 11) [Die Vorlage enth. insgesamt 5 Werke ; Früheres Copyright bei Padova: Euganea Ed. Comunicazioni 1994] | 41p |
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| | 153. | Yamada, Mitsugu | Bach no Mubanso Sakuhin no Henkyoku / Kenbanka. [1] [Versuch einer Transkription von 'Soli senza Basso'zur Dergleichen 'con Basso' in Bach'schen Werken 1] | AnnGifuShotokuGakuenU | 41 | 127-148 |
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| | 154. | Schmidt, Christian Martin | Zwischen Quellentreue und Werkrezeption, oder, Dem Wandel des historischen Bewußtseins ist nicht zu entkommen. | BeihEditio | 17 | 3-17 |
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| | 155. | Kraa, Maria | Nie wahrgenommene Klänge. | [ce]BegegnungenMitBach | 130-131 |
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| | 156. | Bogdan, Izabela; Miernikiewicz, Patryk | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. | CompostelaPrize | 2 | 205-215 |
[cr]Regensburg2000 | ||
| | 157. | Jira, Martin | Der Einfluß musikalischer Temperaturen auf die Komposition der franzözischen Suiten von Johann Sebastian Bach. | PubHochsMTheaterHannover | 12 | 249-254 |
[cr]Hannover2001 | ||
| | 158. | Yamada, Mitsugu | Bach no Mubanso Sakuhin no Henkyoku / Kenbanka (2). [Versuch einer Transkription von 'Soli senza Basso'zur Dergleichen 'con Basso' in Bach'schen Werken (2)] | AnnGifuShotokuGakuenU | 42 | 53-71 |
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| | 159. | Helman, Zofia; Poniatowska-Bylina, Maria | Variations sur un thème de Chopin pour piano opus 22 de Serguei Rachmaninov. [Sergej Rahmaninov's Variations on a theme of Chopin, op. 22] | [cr]Warsaw1999 | ii: 281-291 |
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| | 160. | Freemanová, Michaela; Mikanová, Eva | 'My honourable lord and father...': 18th-century English musical life through Bohemian eyes. | EarlyM | 31 | 2 | 210-231 |
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| | 161. | Dreese, Mia; Maas, Hans | Carl Philipp Emanuel Bach: Sonata per il Flauto traverso solo senza Basso, I: Poco adagio. Analyse. | Fluit | 11 | 2 | 10-15 |
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| | 162. | Tsukioka, Masaaki | An interpretation of BWV 532. | OrganYb | 32 | 99-107 |
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| | 163. | Akiyama, Motoo | Bach Zuiso. [Essays on Bach] Tokyo: Bungei sha, 2004. 273p. ISBN: 4-8355-7635-7. | 273p |
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| | 164. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 3. A cura di Maurizio Machella. - Padova: Armelin Musica, c2004. 32p. Best.-Nr.: CM 013; Best.-Nr.: CM 13. (= Convivio musicale, 13) [Enth. BWV Anh. II 63; BWV Anh. II 70; BWV Anh. II 88; BWV Anh. II 90; BWV Anh. II 97; BWV Anh. II 101] | 32p |
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| | 165. | Perreault, Jean M. | The Thematic Catalogue of the Musical Works of Johann Pachelbel. Ed. by Donna K. Fitch, forward by Christoph Wolff. Lanham, Maryland: The Scarecrow Press, 2004. xiii, 414p | xiii, 414p |
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| | 166. | Yamada, Masahiro | J.S. Bach no Clavier Kumikyokushu ni okeru Allemand to Courante: Kifu ni yoru Bunrui to Tempo no Kankei. [Allemandes and Courantes in Suites for Clavier by J. S. Bach: The relationship between their tempi and types classified with notation] | BulSeitokuU | 15 | 91-98 |
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| | 167. | Semënova, M. R.; Stepanova, Galina Sergeevna (eds.) | Nauka o muzyke: Slovo molodyh uèenyh--Materialy I Vserossijskogo konkursa nauènyh rabot molodyh uèenyh v oblasti muzykal'nogo iskusstva. [Music scholarship: Research by young scholars--Proceedings of the first all-Russian competition of scholarly works by young music researchers] - Kazan': Kazanskaâ Gosudarstvennaâ Konservatoriâ im. N.G. Žiganova, 2004. 634p. ISBN: 5-85401-054-2; 978-5-85401-054-2. | [cr]Kazan2004 | 634p |
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| | 168. | Nogueira, Marcos (ed.) | Anais do 5º Colóquio de Pesquisa da Pós-Graduação da Escola de Música da UFRJ. [Proceedings of the 5th Colloquium on Graduate Studies of the Music School of the UFRJ] Rio de Janeiro,Brazil: Universidade Federal do Rio de Janeiro,Escola de Música, 2004. | [cr]RioDeJaneiro2004 |
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| | 169. | Pereira, Mayra | A boa execução em instrumentos de teclados segundo o Ensaio sobre a maneira correta de tocar teclado, de C.P.E. Bach. [Good keyboard music performance according to C.P.E. Bach's Versuch uber die wahre Art das Clavier zu spielen] | [cr]RioDeJaneiro2004 | 33-36 |
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| | 170. | Moreno i Morera, Modest | J.S. Bach: Misa en si menor. Por la entrañable misericordia de nuestro Dios nos visitará el sol que nace de lo alto, para iluminar a los que viven en tinieblas y en sombras de muerte, para guiar nuestros pasos por el camino de la paz. http://www.filomusica.com/filo58/misa.html | Filomusica | 58 |
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| | 171. | Schmidt, Christian Martin | Lobgesang--oder: Große Musik für Leipzig. | LeipzigMStadt | 1 | 163-172 |
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| | 172. | Kanazawa, Masakata | Kirisutokyo Ongaku no Rekishi: Shodai Kyokai kara J. S. Bach made. [A history of Christian music: From the early churches to J.S. Bach.] - Tokyo: Nihon Kirisuto Kyodan Shuppankyoku, 2005. 400p. ISBN: 4-8184-0550-7. | 400p |
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| | 173. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 4. A cura di Maurizio Machella. - Padova: Armelin Musica, c2005. 42p. Best.-Nr.: CM 14; Best.-Nr.: CM 014. (= Convivio musicale, 14) [BWV Anh. II 103; BWV Anh. II 104; BWV Anh. II 105; BWV Anh. II 106; Präludium c-Moll. Trio c-Moll. Choralbearbeitung 'Gottes Sohn ist kommen'. BWV 581 (Anh. II); BWV 597 (Anh. II); BWV Anh. III 181; BWV Anh. II 42; BWV Anh. II 46] | 42p |
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| | 174. | Yamada, Mitsugu | Bach no Mubanso Sakuhin no Henkyoku / Kenbanka (3). [Versuch einer Transkription von 'Soli senza Basso'zur Dergleichen 'con Basso' in Bach'schen Werken (3)] | AnnGifuShotokuGakuenU | 44 | 47-63 |
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| | 175. | Falletta, Martina; Mehlhorn, Annette; Siegele, Ulrich (eds.) | Georg Philipp Telemanns Passionsoratorium 'Seliges Erwägen' zwischen lutherischer Orthodoxie und Aufklärung. Theologie und Musikwissenschaft im Gespräch. Hrsg. von Martina Falletta, Annette Mehlhorn, Ulrich Siegele. - Frankfurt am Main: Haag + Herchen, 2005. 282, ix p. ISBN: 3-89846-311-7 (= Arnoldshainer Texte, 127) | ArnoldshainerTexte | 127 | 282, ix p |
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| | 176. | Girfanova, Marina Evgen'evna | K probleme formy v fugah Horošo temperirovannogo klavira I.S. Baha. [The form of J.S. Bach's fugues from Das wohltemperirte Clavier] | [ce]KazanConservatory | 272-284 |
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| | 177. | Markovic, Tatjana; Mikic, Vesna (eds.) | Music & networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade. [seventh international conference of the Department of Musicology and Ethnomusicology, Fakultet Muzicke Umetnosti, Univerzitet Umetnosti; Belgrade; 2004] Beograd: Fakultet Muzicke Umetnosti, 2005. 310p. ISBN: 86-83745-52-X. (= Musicological studies: Proceedings, 1) | [cr]Belgrade2004 | 310p |
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| | 178. | Brzoska, Matthias; Hofer, Hermann; Strohmann, Nicole K. (eds.) | Hector Berlioz: Ein Franzose in Deutschland. [Beiträge des Internationalen Musikwissenschaftlichen Kongresses 'Hector Berlioz und die Deutschen', der im Rahmen des Berlioz-Festivals vom 16. - 18. Juni 2003 in Kooperation mit der Philipps-Universität Marburg an der Folkwang-Hochschule in Essen-Werden stattfand] Laaber: Laaber-Verlag, 2005. 352p. ISBN: 3-89007-600-9. | [cr]Essen2003 | 352p |
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| | 179. | Schmidt, Christian Martin | 'Meisterwerke entschlackt!' - Zur Originalfassung der Konzert- Ouvertüre zu Shakespeares Sommernachtstraum op. 21. | [cr]Leipzig2005 | 36-46 |
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| | 180. | Schmidt, Christian Martin (ed.) | Meisterwerke - gefasst! Über ausgewählte Kompositionen und diverse wiederaufgefundene Werke von Felix Mendelssohn Bartholdy ; Beiträge des Leipziger Mendelssohn-Symposiums 'Wissenschaft und Praxis' am 1. September 2005. hrsg. vom Gewandhaus zu Leipzig und von der Internationalen Mendelssohn-Stiftung e.V. [Wiss. Leitung des Symposiums: Christian Martin Schmidt]. - Altenburg: Kamprad, 2005. 79p. ISBN-10: 393055038-5. ISBN-13: 978-393055038-8. | [cr]Leipzig2005 | 79p |
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| | 181. | Matsuda, Mariko | C.P.E. Bach no Clavier Sonata -- Dai-1-Gakusho no Yoshiki no Hensen -- Dai-2-Ki (1749-1759) Shin'yoshiki Kakudai no Jidai. [C. P. E Bach's clavier sonatas: the transition of the first movement's style in the second period (1749-1759): the period of development of new style] | JPTABul | 21 | 71-82 |
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| | 182. | Falletta, Martina | Die Kantaten Tritt auf die Glaubensbahn von Telemann und Bach. | MagdeburgTelemannSt | 18 | 94-110 |
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| | 183. | Sánchez-Archidona, María | Rinaldo Alessandrini: 'La música de Bach es absolutamente perfecta'. [Rinaldo Alessandrini: 'Bach's music is absolutely perfect'] | Scherzo(Spain) | 21 | 203 | 58-62 |
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| | 184. | Tsukioka, Masaaki (ed.) | Praeludium et Fuga in D, BWV 532 / Johann Sebastian Bach. Osaka: Pax-Allen, 2006. 20p. C3073. ISBN: 4-938185-20-2. [BWV 532] | 20p |
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| | 185. | Tolstobrova, Marina Sergeevna (ed.) | Kak ispolnât' Baha. [Performing J.S. Bach's works] Moskva: Klassika-XXI, 2006. xxi, 208p. ISBN: 5-89817-148-7; 978-5-89817-148-3. (= Master-klass, 2006) | [ce]KakIspolnjatBaha | xxi, 208p |
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 | 186. | Baroni, Mario; Addessi, Anna Rita; Caterina, Roberto; Costa, Marco (eds.) | Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC). Bologna: Bononia University Press, 2006. ISBN: 88-7395-155-4. http://www.marcocosta.it/icmpc2006/proceedings.htm | [cr]ICMPC2006 |
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| | 187. | Hughes, Indra Nicholas Martindale | Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. DMA diss., University of Auckland, 2006. viii, 188p. | diss. | viii, 188p |
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| | 188. | Brandazza, Eva; Brandazza, Marco | Marco Enrico Bossi und die ital. Orgelbaukunst seiner Zeit. | MGottesd | 60 | 3 | 104-111 |
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| | 189. | Voinova, Marina Vladislavovna | Simvolika I. S. Baha v organnoj muzyke XX veka. [J. S. Bach's symbolism in 20th-century organ music] | NaucnyeTrudy | 56 | 121-132 |
[ce]MuzykaIPropoved conflict between Libero and RILM | ||
| | 190. | Lesovicenko, A. M. | Organnaja tradicija kak vyrazenie protestantskogo miropredstavlenija. | NaucnyeTrudy | 56 | 133-138 |
[ce]MuzykaIPropoved | ||
| | 191. | Saponov, Mihail Aleksandroviè; Zenkin, Konstantin Vladimiroviè; Voinova, Marina Vladislavovna (eds.) | Muzyka i propoved': K interpretacii naslediâ I. S. Baha [2003]; materialy naucnoj konferencii. [Music and sermon: On the interpretation of J.S. Bach's compositions] - Moscow: Gosudarstvennaâ Konservatoriâ imeni P. I. Èajkovskogo, 2006. 224p. ISBN: 5-89598-164-X; 978-5-89598-164-1. (= Nauènye trudy Moskovskoj Gosudarstvennoj Konservatorii im. P. I. Èajkovskogo, 56) | NaucnyeTrudy | 56 | 224p |
[ce]MuzykaIPropoved, Latin 2 | ||
| | 192. | Pinggera, Mario | Bachs Orgelwerk chronologisch. Diskussion. | ArsOrgani | 55 | 3 | 205 |
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| | 193. | Matsuda, Mariko | C.P.E. Bach no Clavier Sonata -- Dai-1-Gakusho no Yoshiki no Hensen -- Dai-3-Ki (1760-1786) Berlin Jidai no owari to Hamburg Jidai, narabini Zentai no matome. [C.P.E. Bach's clavier sonatas: the transition of the first movement's style in the third period (1760-1786): the end of Berlin period and Hamburg period, and whole period (1731-1786) of his sonatas] | JPTABul | 23 | 67-80 |
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| | 194. | Fuchs, Christian Martin | Von Biber bis Harnoncourt, von Muffat bis Bolton. Das 83. Bachfest der Neuen Bachgesellschaft 2008 in Salzburg. Aus der Arbeit von Vorstand und Direktorium. | MtblNBG | 60 | 14-15 |
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| | 195. | Kanazawa, Masakata | Junankyoku to Watashi. [Passion and I.] | ReihaiToOngaku | 132 |
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| | 196. | Lisecka, Ma³gorzata | O poetyce tekstu Sankt-Bach-Passion Mauricia Kagela: Rekonesans badawczy. [About the poetics of the text Sankt-Bach-Passion by Mauricio Kagel: Research reconnaissance] | ResFactaNova | 9 | 18 | 21-30 |
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| | 197. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 5. A cura di Maurizio Machella. - Padova: Armelin Musica, c2008. 36p. Best.-Nr.: CM 015; Best.-Nr.: A1390M. ISMN: M-2158-1390-8. (= Convivio musicale, 15) [BWV 742-752, BWV 744 alio modo] | 36p |
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| | 198. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 6. A cura di Maurizio Machella. - Padova: Armelin Musica, c2008. 39p. Best.-Nr.: Nr. Collana CM 081; Best.-Nr.: Nr. Catalogo A1391M. ISMN: M-2158-1391-5. (= Convivio musicale, 81) [BWV 753-765 und O Lamm Gottes, unschuldig (ohne BWV-Nr.)] | 39p |
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| | 199. | Fuchs, Christian Martin | Wortklang - dem BACH entlang. | [ce]Bachfest_Salzburg | 14-16 |
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| | 200. | Fuchs, Christian Martin; Leisinger, Ulrich (eds.) | Das Bachbuch. Der Almanach zum Bachfest Salzburg 2008. St. Pälten - Salzburg: Residenz Verlag, 2008. 158p. ISBN: 978-3-7017-3106-0. | [ce]Bachfest_Salzburg | 158p |
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| | 201. | Boelcke, Andreas M. | Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. DMA diss., University of Cincinnati, 2008. xii, 81p. | diss. | xii, 81p |
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| | 202. | Ûžak, Kiralina Iosifovna; Milka, Anatolij Pavloviè; Frid, Rafael' Zalmanoviè; Rajskin, Iosif Genrihoviè | Aleksandr Naumoviè Dolžanskij: Sbornik statej k 100-letiû so dnâ roždeniâ. [Aleksandr Naumoviè Dolžanskij: Collection of articles on the centenary of birth] - Sankt-Peterburg: Sudarynâ, 2008. 512p. | [fs]Dolzanskij100 | 512p |
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| | 203. | Falletta, Martina | Anonym überlieferte Kantaten im Bestand der Universitätsbibliothek Frankfurt am Main. | StMaterMw | 49 | 425-434 |
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| | 204. | Baczewska, Magdalena | In Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation. Lambert Academic Publishing AG & Co. KG., 2009. 104p. ISBN 978-3-8383-0468-7. | 104p |
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| | 205. | Grifanova, Marina Evgen'evna | Teoriâ bahovskoj fugi: Tema, protivosloženie--Na materiale fug Horošo temperirovannogo klavira. [The theory of Bach's fugues: Subject and countersubject—Analysis of the fugues from Das wohltemperirte Clavier] Kazan: Gosudarstvennaâ Konservatoriâ, 2009. 66p. ISBN: 978-5-85401-105-1. | 66p |
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| | 206. | Tihonova, Mariâ Mihajlovna | Opera Boârynâ Morozova R. Sedrina: K probleme žanrovogo arhetipa. [Opera Boârynâ Morozova of R. Sedrin: To a problem of the genre archetype] | AktualnyeProblemy | 2:12 | 18-20 |
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| | 207. | Dulat-Aleev, Vadim Robertoviè; Bražnik, Larisa Vladimirovna; Maklygin, Aleksandr L'voviè (eds.) | Nauka o muzyke: Slovo molodyh uèenyh—Materialy III Vserossijskoj Nauèno-Praktièeskoj Konferencii. [Music scholarship: Research by young scholars—Proceedings of the Third All-Russian Scholarly Conference] [Nauka o muzyke: Slovo molodyh uèenyh (2008): Kazan', Russia] - Kazan': Gosudarstvennaâ Konservatoriâ, 2009. 467p. ISBN: 5-85401-122-0; 978-5-85401-122-8; 978-5-85401-122-8. | [cr]Kazan2008 | 467p |
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| | 208. | Niitsuma, Masahiro; Fujinami, Tsutomu; Tomita, Yo | The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. In: Keiji Hirata, George Tzanetakis, Kazuyoshi Yoshii (eds.): Proceedings of the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, Kobe International Conference Center, Kobe, Japan, October 26-30, 2009. International Society for Music Information Retrieval 2009, ISBN 978-0-9813537-0-8, pp. 519-524. | ISMIR | 10 | 519-523 |
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| | 209. | Nishihara, Minoru | J. N. Forkel ni yoru Bach no Sakuhin Shushu Katei to Shozo Sakuhin. [Process of J. N. Forkel's collecting of Bach's works and his collection of works] A paper read at the annual meeting of the Musicological Society of Japan held in Osaka University, 24-25 October 2009. | [p]MSJ_Osaka |
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| | 210. | Niitsuma, Masahiro; Tomita, Yo | The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. A poster presented at Interdisciplinary Symposium 'Music without Walls?' Source Studies in the 21st Century, held at School of Music and Sonic Arts, Queen's University Belfast from 16 to 17 December 2009. | [p]MwW_Belfast |
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| | 211. | Nishihara, Minoru | J. N. Forkel ni yoru J. S. Bach no Sakuhin Shushu Katei to Shozo Sakuhin. A study on J.N. Forkel's collection of works of J.S. Bach. | TohoGakuenBul | 35 | 39-65 |
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| | 212. | Schmidt, Christian Martin | Eine subtile Hommage an Johann Sebastian Bach. Anmerkungen zum Kopfsatz der Orgelsonate f-Moll op. 65 Nr. 1 von Felix Mendelssohn Bartholdy. | Tonkunst | 3 | 2 | 141-147 |
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| | 213. | Gorodilova, Marina Viktorovna (ed.) | Tvorèeskie strategii v sovremennoj muzykal'noj nauke: skaâ Gosudarstvennaâ Konservatoriâ imeni M.P. Musorgskogo anniversary volume. [Creative strategies in modern musical scholarship] - Ekaterinburg: Ural'skaâ Gosudarstvennaâ Konservatoriâ imeni M.P. Musorgskogo, 2010. 556p. ISBN: 5-98602-079-0; 978-5-98602-079-2. | [ce]TvorceskieStrategii | 556p |
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| | 214. | Markovic', Tatjana; Mikic', Vesna (eds.) | (Auto)Biography as a Musicological Discourse. [Conference: The Ninth International Conference, Department of Musicology, Faculty of Music, University of Arts in Belgrade] - Belgrad: Fakultet Muzic(ke Umetnosti, 2010. ISBN: 978-86-6051-027-5. (= Musicological studies: Proceedings, 3) | [cr]Belgrad2008 | xii, 456p |
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| | 215. | Starosta, Miloslav | Chopinova umelecká poetika a jej rezonancia. [Chopin's artistic poetry and its resonance] | HudobnyZivot | 42 | 5 | 6-9 |
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| | 216. | Schmidt, Christian Martin | Die Instrumentation der 'Sommernachtstraum'-Overtüre - Funktion und Charakteristik. | JbStaatInstMf | 2010 | 35-44 |
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| | 217. | Brežneva, Irina Vâèeslavovna; Malinina, Galina Mihajlovna (eds.) | Russkie muzykal'nye arhivy za rubežom, zarubežnye muzykal'nye arhivy v Rossii. V: Materialy meždunarodnyh konferencij. [Russian musical archives abroad, foreign musical archives in Russia. V: Proceedings from international conferences] Moskva: Gosudarstvennaâ Konservatoriâ imeni P. I. Èajkovskogo, 2010. 252p. ISBN: 5-89598-233-6; 978-5-89598-233-4. (= Nauènye trudy Moskovskoj Gosudarstvennoj Konservatorii im. P. I. Èajkovskogo, 66) | NaucnyeTrudy | 66 | 252p |
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| | 218. | Sylvestre, Loïc; Costa, Marco | The mathematical architecture of Bach's The art of fugue. [Summry in Italian] | SaggiatoreM | 17 | 2 | 175-195 |
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| | 219. | Falletta, Martina (ed.) | RISM - Wissenschaftliche und technische Herausforderung musikhistorischer Quellenforschung im internationalen Rahmen: [Kongress vom 6. bis 9. März 2002 in der Frankfurter Hochschule für Musik und Darstellende Kunst] = Academic and technical challenges of musicological source research in an international framework. Hrsg. von Martina Falletta ... - Hildesheim, Zürich [u.a.]: Olms, 2010. 380p. ISBN: 978-3-487-14431-3. (= Studien und Materialien zur Musikwissenschaft, 58) | StMaterMw | 58 | 380p |
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| | 220. | Moller, Mathias Monrad | Besuch in der Zukunft. Kita des Forum Thomanum seit einem Jahr in Betrieb. Forum Thomanum. | ThomanerJ | 3 | 22 |
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| | 221. | Nishihara, Minoru | Forkel no Bach-Collection no Rekishiteki Igi. J.N.Forkel's Collection of Bach's Works and its Historical Meanings. | TohoGakuenBul | 36 | 27-46 |
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| | 222. | Colturato, Annarita; Merlotti, Andrea (eds.) | La festa teatrale nel Settecento: Dalla corte di Vienna alle corti d'Italia. [The theatrical celebration in the eighteenth century: From the Viennese court to the Italian courts] [Convegno Internazionale di Studi Reggia di Venaria (2009)] - Lucca: Libreria Musicale Italiana (LIM), 2011. xiii, 333p. ISBN: 88-7096-669-0; 978-88-7096-669-5. | [cr]Venaria2009 | xiii, 333p |
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| | 223. | Niitsuma, Masahiro; Tomita, Yo | Classifying Bach's Handwritten C-Clefs. In: Anssi Klapuri, Colby Leider (eds.): Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011, Miami, Florida, USA, October 24-28, 2011. University of Miami 2011, ISBN 978-0-615-54865-4, pp. 417-422. | ISMIR | 12 | 417-422 |
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| | 224. | Tihonova, Mariâ Mihajlovna | Opera Boârynâ Morozova R. Sedrina: K probleme žanrovogo arhetipa. [R. Sedrin's opera Boârynâ Morozova: On genre archetypes] - repr. of article published in 2009. | MuzykaVremja | 3 |
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| | 225. | Falletta, Martina | Telemanns Kompositionen aus dem Blickwinkel neuer, durch das RISM-Projekt erschlossener Quellen. | TelemannKonfBer | 16 | 178-207 |
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| | 226. | Nishihara, Minoru | Baroque Jidai no Kekkon to Ongaku. Tokubetsu Kiko. [Wedding and Music in Baroque Era] | BCJ | 98 | 29-33 |
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| | 227. | Ciglar, Miha; Marolt, Matija; Kaltenbrunner, Martin (eds.) | Non-cochlear sound: ICMC 2012 ; proceedings of the International Computer Music Conference ; 9. - 14. September 2012, Ljubljana, Slovenia / IRZU. Institute for Sonic Arts Research; [IMCA, International Computer Music Association]. Conference chair: Miha Ciglar. Proceedings co-ed.: Matija Marolt ... - San Francisco: International Computer Music Association, 2012. 617p. ISBN: 0-9845274-1-9; 978-0-9845274-1-0. | [cr]ICMC2012 | 617p |
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| | 228. | Oyama, Mayumi | Dai-1-Kai (4 Gatsu 11 Nichi): J. S. Bach no Klavier Ongaku ni okeru Tayo na Yoshiki: Kyosokyoku Yoshiki o Chushin ni. [No.1 (11 April): Various styles among the keyboard works of J.S. Bach: focusing on concerto style] | KunitachiColMResearchInstBul | 25 | 95-99 |
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| | 229. | Wenda, Manuel | b@ch für uns: Das Bachfest Leipzig 2012. Berichte. | MKirche | 82 | 5 | 372-374 |
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| | 230. | Hayasaka, Makiko | Hubert Parry no Orugan Koraru: 20-Seiki Shoki Eikoku ni okeru 'Bach-Teki' Ongaku Goho no Eikyo to sono Juyo. [Hubert Parry's Organ Chorale: The Influence and Reception of Bachian Musical Idioms in Early Twentieth-Century Britain] | OruganKenkyu | 40 | 60-74 |
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| | 231. | Niitsuma, Masahiro; Schomaker, Lambert; Oosten, Jean-Paul van; Tomita, Yo | Writer Identification in Old Music Manuscripts Using Contour-Hinge Feature and Dimensionality Reduction with an Autoencoder. In: Richard Wilson et al. (eds.), Computer Analysis of Images and Patterns: 15th International Conference, CAIP 2013, York, UK, August 27-29, 2013, Proceedings, Part II (Berlin and Heidelberg: Springer-Verlag, 2013), pp. 555-562. ISBN: 978-3-642-40245-6 (Print) 978-3-642-40246-3 (Online). | 555-562 |
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| | 232. | Niitsuma, Masahiro | Towards automated discovery of knowledge from Bach's original manuscripts. PhD diss., Queen's University Belfast, 2013. xv, 132p. | diss. | xv, 132p |
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| | 233. | Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan | 'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. A dialogue session presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. | [p]BNUK_Warsaw |
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| | 234. | Matsubara, Masaki; Tojo, Satoshi; Hirata, Keiji | Ongaku Riron GTTM ni motozuku Ki-Kozo o mochiita Senritsu no Ninchiteki Ruijido no Doushutsu: Bach BWV 582 Passacaglia to Fuga no Bunseki o Rei ni. [Cognitive Similarity Grounded by Tree Distance based on GTTM: from the Analysis of BWV 582] The 28th Annual Conference of the Japanese Society for Artificial Intelligence, 2014 https://kaigi.org/jsai/webprogram/2014/pdf/72.pdf | 4p |
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| | 235. | Kostka, Magdalena | Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. PhD diss., University of Cardiff, June 2014. vii, 437p. | diss. | vii, 437p |
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| | 236. | Kolb, Andreas; Koch, Juan Martin (eds.) | Fernüberwachung Bach'scher Fugen: Zum 100. Geburtstag des Kantors, Organisten und Komponisten Herbert Collum. http://www.nmz.de/artikel/fernueberwachung-bach-scher-fugen | NMz(Regensburg) | 63 | 12 |
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| | 237. | Oyama, Mayumi | Bach Kenkyu no Ima. (Tokushu: Kyokai Ongakuka Bach) [Bach research today. (Specials: Church Musician Bach)] | ReihaiToOngaku | 161 | 4-7 |
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| | 238. | Alcaraz Iborra, Mario; Montañés, Francisco | Ricardo Gallén y las suites para laúd de Bach. [Ricardo Gallén and the suites for lute by Bach] | Ritmo | 85 | 874 | 48-49 |
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| | 239. | Ishiyama, Maki | Suzuki Masaaki ni kiku 'Matai Junankyoku'. Program notes. [Asking Masaaki Suzuki about St Matthew Passion] | BCJ | 112 | 10-15 |
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| | 240. | Suzuki, Masaaki; Ishiyama, Maki | Interview: Suzuki Masaaki ga kataru. Luther no Shukyokaikaku 500-Shunen ni yosete: Bach 'Chorale Cantata' no Miryoku, I. [Interview: Masaaki Suzuki speaks. On the 500th anniversary of Luther's reformation: The attractiveness of Bach's 'chorale cantatas', part 1] | BCJ | 113 | 10-13 |
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| | 241. | Nishihara, Minoru | Zakusen Chiho no Shomin no Seikatsu to Bach no Ongaku. [The life of ordinary people of Saxony and Bach's music] [Interview by Maki Ishiyama] | BCJ | 114 | 10-12 |
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| | 242. | Koch, Juan Martin; Kolb, Andreas | Vom Kinderlied zur Bachmotette: Fachtagung zur Förderung vokaler Betätigung an Musikschulen und allgemeinbildenden Schulen. http://www.nmz.de/artikel/vom-kinderlied-zur-bachmotette | NMz(Regensburg) | 64 | 6 |
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| | 243. | Sousa, Natanael Martins de; Maia, Marcos da Silva | Uma digitação do Prelúdio da Suíte para Alaúde BWV 997 de J. S. Bach transcrito para o violão. [Fingering J. S. Bach's Prelude from the BWV 997 Lute Suite transcribed for the guitar] | PerMusi | 32 | 394-419 |
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| | 244. | Sala, Massimiliano (ed.) | Piano culture in 19th-century Paris. Ed. Massimiliano Sala. [Compositori Mitteleuropei e la Nascità di un Virtuosismo Pianistico Francese/Central-European musicians and the birth of French piano virtuosity (2012): Rome] - Turnhout: Brepols, 2015. xii, 413p. ISBN: 978-2-503-55326-9. (= Speculum Musicae, 26) | SpeculumM | 26 | xii, 413p |
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| | 245. | Schabram, Kai Marius | Der Biograph Johann Adam Hiller: Anmerkungen zu den Lebensbeschreibungen berühmter Musikgelehrten und Tonkünstler (1784). | Tonkunst | 9 | 1 | 20-27 |
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| | 246. | Falletta, Martina; Ward, Jennifer A. | Conference Report: 'Sammeln - Musizieren - Forschen. Zur Dresdner Höfischen Musik des 18. Jahrhunderts'. | BachNotesABS | 24 | 9-11 |
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| | 247. | Nishihara, Minoru | Kokkyokan no Seiji to Bach Ongaku no fukai Kakawari. [Deep relationship between the international politics and Bach's music] [Interview by Maki Ishiyama] | BCJ | 116 | 32-36 |
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| | 248. | Antolini, Bianca Maria; Mastroprimiano, Costantino; Scarpellini Pancrazi, Francesco (eds.) | Il giovane Mendelssohn: Atti del Convegno internazionale di studi (Perugia, Conservatorio 'F. Morlacchi', 4-5 dicembre 2009). a cura di Bianca Maria Antolini, Costantino Mastroprimiano, Francesco Scarpellini Pancrazi. - Lucca: Libreria Musicale Italiana (LIM), 2016. 248p. ISBN: 978-88-7096-843-9; 88-7096-843-X. (= Strumenti della ricerca musicale: Collana della Società Italiana di Musicologia, 21) | [cr]Perugia2009 | 248p |
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| | 249. | Lupanova, M. | Vesna pod znakom Baha. [Spring under the sign of Bach] [Reports of the Bach-Fest in Ekaterinburg in March 2016.] | MuzykalnajaZizn | 4 | 72 |
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| | 250. | Tonella Tüzün, Lilian Maria | Esit Düzenlenmis Klavye ve Hristiyan Sembolizmi. [Das wohltemperierte Klavier and Christian Symbolism] | SahneMüzik | 2 | 115-129 |
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| | 251. | Kanikula, Maciej | O fortepianowych interpretacjach muzyki na instrumenty klawiszowe J.S. Bacha w minionym stuleciu. [Piano interpretations of J.S. Bach's music for keyboard instruments in the last century] | SwiatyDzwiekow | 1 | 8p |
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| | 252. | Laterza, Marilena | Alio modo: Sulle trascrizioni bachiane di György Kurtág. [Alio modo: On the Bach transcriptions by György Kurtág] | NuoveMusiche | 2 | 135-155 |
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| | 253. | Peitsalo, Peter; Jullander, Sverker; Kuikka, Markus (eds.) | Liturgical organ music in the long nineteenth century: Preconditions, repertoires and border-crossings. Edited by Peter Peitsalo, Sverker Jullander and Markus Kuikka. [Conference 'Liturgical organ music and liturgical organ playing in the long nineteenth century' (Helsinki 2016)] - Helsinki: Sibelius-Akatemia/Sibelius Academy (Taideyliopisto/University of the Arts Helsinki), 2018. 327p. ISBN 978-952-329-091-4 (print), 978-952-329-092-1 (e-book) (= DocMus-tohtorikoulun julkaisuja/DocMus Research Publications, 10) | [cr]Helsinki2016 | 327p |
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| | 254. | Koshikakezawa, Mai | Beethoven to Baroque Ongaku: 'Gakusei' wa Senjin kara Nani o manandaka. [Beethoven and Baroque Music: what 'the master musician' learned from the forerunners] - Tokyo: Ongaku no Tomo Sha, 2020. 225, xiii p. (= Orphée) | 225, xiii p |
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| | 255. | Bania, Maria; Skowroneck, Tilman | Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. | EarlyM | 48 | 2 | 193-203 |
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| | 256. | Friedrich, Dorothea; Maul, Michael | 'Elf Tage eine riesige BachßSelbsthilfegruppe'. [Ein Gespräch von Dorothea Friedrich mit dem Intendanten des Bachfestes Prof. Dr. Michael Maul über seine Vorfreude auf das 95. Bachfest der Neuen Bachgesellschaft in Leipzig.] Bachfest Leipzig 2020. | MtblNBG | 86 | 3-5 |
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